Sex Worker Art and Creative Practices

South Korean sex workers douse themselves in flammable liquid after a rally in Seoul, South Korea. Image via Lee Jin-man

CODE:RED, Red umbrella march, public action, 49th Venice Biennale of Contemporary Art, Venice, 2001. Image via Museum and Galleries of Ljubljana

CODE:RED, Red umbrella march, public action, 49th Venice Biennale of Contemporary Art, Venice, 2001. Image via Museum and Galleries of Ljubljana

CODE:RED, Red umbrella march, public action, 49th Venice Biennale of Contemporary Art, Venice, 2001. Image via Museum and Galleries of Ljubljana

CODE:RED, Red umbrella march, public action, 49th Venice Biennale of Contemporary Art, Venice, 2001. Image via Museum and Galleries of Ljubljana

CODE:RED, Red umbrella march, public action, 49th Venice Biennale of Contemporary Art, Venice, 2001. Image via P47 Gallery

Performance by EMPOWER at International Aids Conference 2018 - Thursday 26th July, 2018. Image via Juno Mac

Screenshot from the 1987 Safe Sex national anthem music video by sex worker activist, comedian, artist, Scarlot Harlot.

Face-painted South Korean sex workers rally in Seoul, wearing mourning garments. Image via Lee Jin-man/ Lee Jin-Man

South Korean sex workers douse themselves in flammable liquid after a rally

Daspu Catwalk at Satyrianas theater festival 2016, in São Paulo, Brazil.

Sistaaz of the Castle (2015 - ongoing)

Sistaaz of the Castle (2015 - ongoing)

Extract from 'Daughter of the Hills' via SANGRAM.
Lady of the Night School was a two part course that ran for three months between October to December 2021, and again between April to June 2022. Each month we collectively explored a new topic. The focus was less on current legislation and campaigns, and more on how we got to where we are today.
This is an archive of each session in the series. Here you will find recordings, reading lists, audio, and summaries of each section, as well as details of our hosts and where you can find them now.
✧
Sex Worker Art and Creative Practices (June 2022)
This session looked at sex worker art and activism worldwide to learn about the role creativity has played in our struggles for change. Featuring:
Lecture by Yves Sanglante, hosted by Tamara-Jade Kaz (Monday June 6th 7pm – 8.30pm)
Seminar hosted by Tamara-Jade Kaz (Monday June 13th 6.30pm – 8.30pm)
Yves Sanglante gave a world tour of the ways sex workers have used art as a form of advocacy and protest. Yves told us about the origins of the red umbrella symbol at the 2001 Venice Biennale, Empower's Bad Girls Dictionary and performance art in Thailand, and the Daspu fashion line in Brazil. The lecture also covered the San Francisco Sex Worker Arts Festival, the Durbar Women's Collaborative Committee's Tale of the Night Fairies, and Sistaaz of the Castle in South Africa. Yves emphasised the importance of archiving and documenting these works to preserve the history and impact of sex worker activism.
✧
Yves Sanglante (he/him) is an artist, performer and curator interested in art as a means to inspire liberation. Through his work, he explores overlooked and forgotten stories from queer, trans, and sex worker communities to understand the present, and inform visions of the future. In 2016, as part of a collective of sex workers, artists and anthropologists, Sanglante co-founded sex worker-led archive ‘Objects of Desire’. He also co-curated the Decriminalised Futures exhibition at ICA London in 2022. You can follow his work at ‘Nostalgia Nausea’.
Tamara-Jade Kaz is an artist, activist and educator based in east London. Her art practice explores themes of marginalised identity, social justice and community, primarily through illustration. She has seven years of experience as a trainer and facilitator for social change groups. she specialises in developing bespoke programmes and workshops that challenge groups to reflect on strategy, structural power, group culture and relationships.She combines her passion for facilitation and visual art through her practice as a visual notetaker. Tamara-Jade’s background also includes working in and organising around gendered violence prevention from a Black feminist perspective. An intersectional analysis of these issues is particularly important to her as a Black lesbian. In 2019, Tamara-Jade was appointed to the good night out campaign board of directors; a CIC that works with nightlife spaces and organisations to better understand, respond to, and prevent sexual harassment and assault. She is a member of the designers and cultural workers branch of United Voices of the World trade union, and the association of illustrators.
─
This course was made possible with generous support from the Barry Amiel & Norman Melburn Trust and the Rosa Luxemburg Foundation.